1,039 Royalty-Free Audio Tracks for "Diminished Seventh Chords"

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C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.
Author: Hyacinth at en.wikipedia
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VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self
Author: Hyacinth at en.wikipedia
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Eb major triad, MIDI file
Author: Hyacinth (talk)
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En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad
Author: Niklas R
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Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.
Author: Claude Debussy
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The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.
Author: Hyacinth
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Violoncello chord on G
Author: Hyacinth at en.wikipedia
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C-F-B Synthetic chord
Author: Hyacinth at en.wikipedia
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Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.
Author: Hyacinth
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Minor triad on C
Author: {{subst:usernamexpand|Hyacinth}}.
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Created using Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Tonic and dominant in C. C major and G major chords.
Author: User:Hyacinth
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Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth (talk) (Uploads)
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*Neutral seventh on C = B. Equal-tempered: 21050/1200=21/24:1 = 1050 cents. MIDI pitch bend: 0,80 Preceded by:
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 0,80 for 1050 cents rather than 1000.
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Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.
Author: User:Hyacinth
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Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.
Author: Hyacinth
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Beta scale minor triad on C. MIDI pitch bend appears to match intervals.
Author: Hyacinth at English Wikipedia
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Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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C6add9 chord.
Author: User:Hyacinth
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Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.
Author: Untitled
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The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.
Author: WBOSITG
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Tritone substitution (for V) notated as Italian sixth.
Author: Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
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5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.
Author: Created by Hyacinth (talk) 06:34, 25 November 2010 using Sibelius 5.
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La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.
Author: Hyacinth
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Major triad on F in second inversion
Author: Hyacinth (talk) (Uploads)
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D chord in drop D tuning.
Author: Created by Hyacinth (talk) 02:45, 8 May 2010 using Sibelius 5.
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Cesar Franck Violin Sonata in A major, opeing bars
Author: Untitled
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Major triad on F in first inversion
Author: Hyacinth (talk) (Uploads)
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12-1 (chromatic) dodecachord on C
Author: Hyacinth
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Harmonized C major scale.
Author: User:Hyacinth
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Dominant and dominant parallel in C minor: Gm and BM chords.
Author: User:Hyacinth
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Major triad on C in second inversion.
Author: Hyacinth (talk) (Uploads)
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3-9A trichord on C. Sus2 chord.
Author: Hyacinth
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Dominant and dominant parallel in C major: GM and Em chords.
Author: User:Hyacinth
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Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).
Author: Sciurid
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